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Looking at the photos yesterday in my copy of GQ and I was thinking, “these girls have abs!” Some of the photos, while racy, are pretty much a straight man’s vision of high school girls gone bad (a reoccurring porn motif). The remarkable cultural footnote is not that these girls got dressed down but that anyone expected anything different from a publication like GQ. If you think about it, magazines are in in fact, kind of gay. Guys who read magazines are kind of gay, so the editors of magazines like Esquire, GQ and Details make a concerted efforts to appear mega-heterosexual. There was a time, when GQ was run by gay editors and an entire issue was photographed by Bruce Weber (in a homage to a USC swimmer no less). Like Playgirl, GQ decided not to acknowledge its gay readers in any significant way (because the advertisers didn’t want to appear too gay) and instead went for the main, motivating force behind nearly everything but war on this planet: pussy.
So when we look at Dianna Agron and Lea Michele with their tighty whiteys fitting snugly up against their girlthing, it is what the editors, the photographer want us to think about: sex. Sex, for parents is always something to complain about because parents don’t want to become grandparents too early in life, it signals a whole new shift in the timelife continuum.
So while parents may beat the moral drum, because....the show takes place in high school, where there is supposedly no sex going on, the curious fact is that sex really does propel the world, especially cultural and media worlds. And magazines in particular, with attendance down need to reach into the grapbag of controversy and novelty to attract readers.
For gay men this produces an enormous amount of ennui; straight couples fondling, kissing, tongue diving and butt-clenching on television and in movies does not move us. We are not tormented by the Glee girls in their sexual poses with the near camel-toe embrace of their underwear like a straight man is. If the tables were turned and it was Chord Overstreet (the new boy with a mouth like a pomengrante) or Mark Stalling in tight white underwear hinting at the state of their circumcision, we might be moved, we might be upset because it is an image we could carry over into the loneliness of the night.
This is the very reason that two men kissing still holds such power of revulsion and intrigue: we don’t see it very often.
So of course, we aren’t offended by the GQ images. To us, they are sexy, artsy photos about some cast members of a television show clearly produced by homosexuals. The fact is, gay men are not easily offended because we live a part of our lives in the shadows. The shadows that are of men kissing or having sex. To the untrained eye, gay men might appear desparate as we horde any image that has some sexual innuendo from sports figures with bulges to up-close shots of Taylor Lautner in revealing sweat pants. Men, especially celebrated men, have to be sexy in an unsexy way or its, well, you know...gay.
Until that time, when we are offended by the images of young male stars being photographed as sex objects by famous photographers in a major magazine, in a story called the The Boys of Glee, we are not easily offended. We are amused at such controversies because clearly they push some button, that we don't possess.
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The network made the determination after a meeting with gay and lesbian activists on Thursday, and extended the deadline for applications.
The morning show runs a contest every year where viewers choose a couple to get married on the show. Viewers plan every aspect of the wedding, from the cake to decorations, and it takes place live on the air sometime in the fall.
NBC says it abided by New York state rules, where same-sex marriages aren't allowed. But after activists pointed out that a couple could still get a marriage license in another state and have the ceremony at the "Today" show, the network said it would allow same sex couples to apply.
There's still no guarantee that viewers will be able to choose a same-sex couple. NBC ultimately culls through thousands of applicants to give viewers a choice of four couples.
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The Fabulous Beekman Boys from mike goubeaux on Vimeo.
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High school comedy Glee will gain a Christian character next season who disapproves of homosexuality.
Glee writer Ryan Murphy said he wrote in the female character to rebalance "jabs" made at America's right-wing.
The Fox show has been praised for its sensitive yet direct handling of topics such as homosexuality, sex and teen pregnancy and applauded for its message of tolerance.
Murphy told TV Guide magazine: "I'm adding a Christian character. We've taken a couple jabs at the right wing this year, so what I want to do with this character is have someone who Christian kids and parents can recognise and say, 'Oh, look – I'm represented there, too!'.
"If we're trying to form a world of inclusiveness, we've got to include that point of view as well."
He added that the unnamed character would disagree with gay character Kurt Hummel's sexuality, as well as objecting to some of the more sexually-charged performances by the Glee Club.
Murphy also revealed that Rachel Berry's gay dads will stay in the background for at least another season, saying: "I like feeling their parenting influence without meeting them."
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America faces some great questions: will healthcare reform pass? Will Tim Urban survive another week on American Idol. If he's smart, he will perform shirtless. For anyone over 50, Urban is a throwback to another era—he's like a slightly taller Davy Jones of The Monkees, complete with the cocky grin that he flashes whenever in doubt, which is often. He reminds us of what a shag haircut looked like before Jane Fonda stole it. And if this picture is any indication, he seems to following Jane into the world of fitness. Could the video be next? It may have to be.
Urban slipped into the competition by default and has managed to week after week, shock himself by remaining a contestant. His theme song should be "Against All Odds." His talent is in his appearance and he is working every teen girl into a frenzy, which only proves that American Idol is actually part beauty contest, part talent show. His performance last week of the Rolling Stones, "Under my Thumb", was met with universal lack of acclaim, as he invoked a "Wasting away in Margaritaville" attitude by going reggae. The Rolling Stones as inspiration was curious. Most the of songs, with the exception of Wild Horses, don't hold up well. The entire evening was like a flashback, and not a particularly good one. The only exception was Siobhan Magnus, who in a wild rendition of "Paint it Black" hit a note so weird, so audacious, that even Simon Cowell, who is not easily shocked, was shocked.
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Today Show host Meredith Vieira has apologized for comments she made during Monday’s Academy Awards coverage in which she suggested a hug between Hurt Locker stars Anthony Mackie and Jeremy Renner might give her cause to worry.Referencing an emotional hug between the two actors on the the day the film and Renner were both nominated for Oscars, Vieira said: “You hugged him pretty tight, I must say, in the moment. There was a lot of man lovin’ goin’ on last night. Do I have reason to be worried?”Co-host Al Roker seemed immediately shocked, asking Vieira, “Why would you ask that?” Mackie then assured Vieira that there was nothing strange about a passionate hug between men and that the two actors had simply become very close making the film.Vieira released the following statement to GLAAD: “During an interview with the cast of the hurt locker on Monday, I turned to actor Anthony Mackie and made a joke about “man hugging” in reference to a hug he and fellow actor Jeremy Renner had shared a few weeks earlier on our air. It was meant to be lighthearted, but some were offended by what they believed to be a homophobic comment. That was never my intent, but that doesn’t matter. Words are extremely powerful and should never be chosen lightly, even in a lighthearted moment. I apologize to any and all that I offended. My support of the gay and lesbian community is longstanding and well documented. It has not and will never waver.”Watch the Today Show exchange here.
via www.advocate.com
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"I just tried to create this lovable, oblivious [buffoon], who's a little bit smug," he said. (OK, Isaiah didn't really say "buffoon." Nobody says "buffoon" except maybe for the guy on the horse. You get the idea, though. In a lovable way, of course.)We looked at him. We looked away. We looked back at him. And dangit if we couldn't stop looking at him. Seriously, he's on a horse.
He, of course, is actor Isaiah Mustafa, otherwise known as "the guy who stars in that Old Spice commercial" -- a spot that's been cracking folks up for a couple of weeks now.
"I just tried to create this lovable, oblivious [buffoon], who's a little bit smug," he said. (OK, Isaiah didn't really say "buffoon." Nobody says "buffoon" except maybe for the guy on the horse. You get the idea, though. In a lovable way, of course.)
"But he really just wants to help."Read entire here:
via latimesblogs.latimes.com
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American Idol represents something about America. Now in
season 9, the hallowed 24 have been selected. We have been witness to the
tears; the sorrow of defeat and once in a while the defiance of contestants who
are purposefully made to endure and wait (extreme tiredness is a trick every
cult knows how to use) until their “verdict” comes in. This year, an extremely
annoying thing is happening and there doesn’t seem to be an appropriate word for
it. It comes close to something like irony, but the judges are pretending the
opposite of what is actually happening. In other words, new judge Ellen
DeGeneres walks into the room looking sad and downtrodden only to reveal that
it is the winning room! Hooray! This seems to have become the staple trick of
nearly all the judges as they attempt to create drama where often there simply
is none. American Idol is big on drama. We are treated to the stories of many
of the contestants: the girl with the dying grandma, the guy who wants to pay
his bills with his celebrity, the guy who missed the birth of a child to remain
in competition, and on and on and on. Only today we learned that “adoption boy”
Chris Golightly (no relation to Holly) has been replaced because he failed to
mention that he had a contract with some other musical enterprise. These short
“Lifetime” stories fail to engage but they do fill up space on the complete
unnecessary two-hour shows that are punctuated with more commercials than even
the Logo channel.
There is a lot talent in this years contestants. One suspects that many have been practicing and performing for a long, long time. Some are polished, some fail to remember lyrics, some have charm, some have good looks, some are goofy, some are lovable. They run the gamut of American culture and this year is like a United Nations of races and ethnicities.
As for the judges, this may be Simon Cowell’s last season, apparently not be replaced by Howard Stern (genius!!!) Kara continues to annoy as she took one dismissed contestant and sat next to her in the chair and in her best mommy impression, begging her not to give up. Mercy. As for Ellen, ah, well, she is really nice. Her contributions so far have been more than her fair share of that “irony” humor and she has not been very funny. One suspects she might end up a one-season judge because the hurt is too much for her to bear. Randy Jackson has refrained from his litany of colloquialisms and yet he remains the lightest of fingerprints barely scratching the surface of any significance. Simon does seem a little annoyed with the show, perpetually tossing his “I’ve seen this movie too many times” look to the camera as he continues to be the voice of reality for many of the deluded would-be singers.
As the 24 finalists were chosen after an exhausting (even for the audience) two night extravaganza, the highlights would be Haeley Vaughn, a 16 year old who redefines wacky. Aaron Kelly, who brings out the pederast in all of us, sex symbol rocker Casey James and our favorite, Andrew Garcia, who despite an annoying personality sings unlike anyone on the show.
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If the Grammy Awards are a cultural weather vane, the winds
seem to be blowing out of nowhere. Last nights 50 something awards ceremony
started off with Sir Elton John and Lady Gaga performing "Poker Face"
and "Your Song" in matching dirtied suits and glasses. Unfortunately,
we would not see Elton or Lady again on stage. Which cannot be said of Taylor
Swift, who seemed to dominate the evening and after a strange introduction by
Mr. blandness himself, Ryan Seacrest, who suggested she was a heavy hitter in the
lyric department, preceded into "Today was a Fairytale". Swift is 20
years old and 'Fairytale" seems exactly like the kind of song a 20 year
old would write: "You've got a smile that takes me to another planet/Every
move you make everything you say is right." Heavy. A real heavy hitter in
the lyric department, Leonard Cohen, was given a lifetime achievement award,
with a 12 second acknowledgment, as singer Pink took to the stage in a bathrobe
and leapt into a swirling, burlesque Las Vegas act. Pink coyly dropped the robe to reveal
a nude-colored bodysuit with silver spangles and white straps covering her
naughty bits. She sang "Glitter in the Air" suspended in the air,
sometimes upside down and twirling round, all the while spraying water onto the
stage. By songs end she was pulled up from the abyss like a drowned rat and
received a standing ovation.
Back on stage the ubiquitous Taylor Swift was overshadowing poor Stevie Nicks who on the second song was reduced to just tambourine. Swift, who looks like an angel, was predictably shocked each time (four, including album of the year) she won. She seems a little packaged, a little too good to be true and her music like a diet of cake frosting. And this may be the future of popular music, a music that is without edge or real danger and certainly as lyrically vapid as it can get.
And a big thanks to the producers of the Grammy’s that reminded us of what a television on its way out is like. The Michael Jackson tribute, in a tribute to Avatar is in 3-d. Most of America forgot to put their 3D glasses on, so we were treated to dizzying array of images that made little sense. The song, Earth Song, is beautiful nonetheless. The Jackson kids are marched out afterwards and in a Chris Matthews moment, one had to ask: who are the real parents of these children? The Jackson tribute did prove one thing: singers Celine Dion, Jennifer Hudson, Carrie Underwood and Smokey Robinson could not match the pure excitement of Michael Jackson's voice. There were a lot costumes, mostly futuristic, a lot of dancing, dancers, smoke, mirrors and spectacle, but little connection. The notable exception being Dave Matthew’s “You and Me” which with a total of 45 musicians built its way into an anthem-like ending.
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In a sad but unsurprising move, ABC announced this afternoon that they are canceling Ugly Betty. In fact, they've asked the writers to trim down the fourth season from 22 to 20 episodes. Entertainment Weekly's Michael Ausiello broke the news with the following joint statement from network and Betty execs:
"We’ve mutually come to the difficult decision to make this Ugly Betty’s final season, and are announcing now as we want to allow the show ample time to write a satisfying conclusion. We are extremely proud of this groundbreaking series, and felt it was important to give the fans a proper farewell.
Betty's ratings last season were dismal, and they didn't get any better when ABC moved the show to the Friday night death slot this season. In a last ditch effort to revive the flailing telenovela, they gave it a chance on Wednesday night with their breakout sitcoms Cougar Town and Modern Family — but it never could recapture its original audience.
It's a bummer to see the end of Betty for a lot of reasons. It is one of the most ethnically-diverse, women-friendly shows to ever air on network television. It includes a positive (and positively hilarious) gay male portrayal in Michael Urie's Marc St. James. And during this season's creative resurgence, we also got a peek into Justin's world as he battled with (probably) being a gay teen.
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The network says it is reviewing an ad from ManCrunch.com, a dating site specifically for gay men.
After days of deliberations on whether to run a controversial Super Bowl ad from gay dating site ManCrunch.com, CBS has not yet reached a decision.
The 30-second spot shows two men excitedly watching the game, before their hands brush as they both reach into a bowl of chips. Suddenly, the two begin making out, much to the shock of a guy sitting close by.
According to a rep for the dating site, which operates under the slogan “Where Many Many Many Men Come Out to Play,” the ad was submitted on Monday, January 18th. When the site followed up on the status of the ad on Friday, January 22nd, they were told by CBS that “the spot hadn’t been officially approved yet" by network standards, and that "all the Super Bowl spots were sold out.”
“ManCrunch requested the spot get reviewed anyway just in case another advertiser drops out and a spot becomes available, as often happens, and CBS agreed,” added the site’s rep.
ManCrunch officials said they believe CBS has no intention of airing a commercial for their gay dating service, "but do not want to officially ‘reject’ the spot out of fear there may be a backlash from gay advocacy groups.”
However, a representative from the network told Pop Tarts that advertising spots were still open, and was unsure where that comment originated.
“The ad is still under review, the process takes a little while,” a rep from CBS said. “We still have a lot of ads we have yet to review.”
ManCrunch’s submission is not the only controversial ad CBS has had to review this year. On Wednesday, the network announced that they had approved a pro-life commercial starring Florida quarterback Tim Tebow, funded by the conservative Christian group Focus on the Family, to air during the game.
“CBS’s recent decision to air an anti-choice advertisement during Super Bowl XLIV was outrageous,” a rep from advocacy group The Women’s Media Center said. “Even worse is the network’s about face from its own policy of rejecting controversial Super Bowl ads.
"The Women’s Media Center and organizations dedicated to reproductive rights, tolerance, and social justice, are urging the network to immediately cancel this ad.”
CBS is reportedly standing by their decision, and producers said they would consider accepting any other "responsibly produced" advocacy ads for broadcast.
via www.foxnews.com
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Salvatore Romano, the gay character on Mad Men played by Bryan Batt, was fired for being open about his sexual orientation at the end of last season, and now it appears that he won’t be returning to the series on AMC. According to TV Guide, Batt, who is gay, says that he has not been called yet to shooting for season four, which is set to begin in March. Series creator Matthew Weiner tried to explain the decision to TV Guide.“We don’t murder people on our show, but for there to be any stakes, there have to be consequences,” said Weiner. He called the loss “a tough moment for the show, but that’s where we are. I know how people felt about Bryan. I obviously love working with him, and he has been an indelible character since the pilot. But I felt it was an expression of the times that he couldn’t work there anymore. It’s the ultimate case of sexual harassment.”Salvatore "Sal" Romano (Bryan Batt) is the Italian-American head art director at Sterling Cooper. He is originally from Baltimore. He is gay and in the closet. Sal turned down a proposition from a Belle Jolie lipstick male employee midway through the first season, admitting that he has thought about having relationships with men but never acted on his impulse, implying it was out of fear of discovery. He joins the other men of Sterling Cooper in their flirtations with the women in the workplace, in order to keep up the appearance that he is as interested in the opposite sex as they are. He speaks to his mother in Italian. In between Seasons One and Two, Sal marries a childhood friend, Kitty (Sarah Drew), who is unaware of his true orientation. The two entertain Ken for dinner during the second season during which Sal seems taken with his male guest. In the third season premiere, Don Draper becomes aware of Sal's orientation after catching him with a bellhop in a hotel room by accident, but subtly assures him that he'll keep silent by bringing up an ad campaign with the slogan "limit your exposure." Later in the third season with Don's encouragement, Sal branches out into directing commercials for the company while his wife becomes increasingly suspicious of him. Unfortunately, Sal is fired from Sterling Cooper when he rejects the advances of a powerful male client.
via www.advocate.com
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Producers of the comedy are casting for three more characters, one of whom will be a love interest for gay student Kurt.
Ryan Murphy told Entertainment Weekly: "We just announced we're doing a nationwide search for the season two cast, and [a love interest for Kurt is] one of the three roles that we're adding. And we're going to make them a power couple.
"We're not going to do the whole hiding in the shadows thing. We're going to make them popular, and out and proud and glamorous. Like prom king and king. We're doing the opposite of what's been done."
Glee, described as High School Musical for adults, has been praised for its handling of issues such as homosexuality, disability and race. Last week, it was nominated for a GLAAD award.
Murphy also revealed that Jennifer Lopez and Olivia Newton John were being lined up to appear in the show.
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With the recent announcement that Simon Cowell plans to
leave American Idol it may be time to reconsider his importance not just as a
judge but also as a celebrity.
Reports are that he has turned down $100 million to remain as the epicenter of America’s most popular program to bring to the states his own “X Factor”, another musical competition show extremely popular in England.
Cowell admits he was frustrated with the "Idol" judging, saying: "On 'X Factor,' you get to mentor the artists, so you have more of a role. It's frustrating sometimes when you sit there [as a judge] and you haven't been able to change their songs, or how they perform, or what they wear.”
It was evident watching some of the new season auditions (the 9th season) that Cowell’s patience was beginning to run thin with the multitude of crazies, deluded and often angry contestants who paraded in front of the judges in two cities. But Cowell has always had the ability to see the big picture. In one Boston audition, heavily bespeckeckled contestant Andrew Fenlon quickly wore his welcome thin with his constant irritation and arrogance about the process. Fact is, he could sing, even if his audition seemed to display an extraordinary boredom, all of which seemed to bother the lady judges to no end. In the end, it was Cowell who wanted to send him to Hollywood, because Cowell knew Fenlon was great TV, while the lady judges quickly dismissed him and suggested that he needed “a spanking.”
Cowell has great instincts for talent and a penchant for telling the truth. The other judges, Kara DioGuardi, Randy Jackson and on this show, Victoria Beckham all display the usual kindness towards strangers, but it is always Cowell who zeroes in on reality, which is often not kind. And while her role on the show can be debated, Paula Abdul was a presence and with her penchant for erratic behavior, she was unpredictable and fun. The same cannot be said for the other judges who are in turn, one bore after another. Victoria Beckham, as the stand in for Ellen DeGeneres, was about as eventful as a flag in the wind, while Kara DioGuardi continues to be a sedative to the proceedings. Randy Jackson, while he has become slightly more aggressive in each season continues to pepper his remarks with own brand of colloquialisms, tending to feel bad about dismissing contestants.
Cowell is more than just a judge on a hit TV reality show; he is in his own right a celebrity. As Kara said: “you have attitude, but you also have charm”, which is why despite his frankness, one senses that Cowell has some sense of what becoming a celebrity is all about. As celebrities go, he is uniquely boring. With little fashion sense, a perpetual marine haircut and a life generally gossip free, Cowell despite his excessive wealth, does seem humble. He simply the guy who likes to tell it like it is.
The chatter has begun as to who might replace Simon Cowell and so far, the list contains Ryan Seacrest (milquetoast), Piers Morgan (America’s Got Talent), Sean “Diddy” Combs and host of other uneventful figures in popular culture. Thankfully no one has mentioned Nigel Lythgoe, from Fox’s other hit show, So You Think You Can Dance. What the show needs, of course, is someone like RuPaul or anyone who could countervail the tedium of politeness that the judges already possess. The fact is, Simon Cowell may actually break the show. Musical oddities and peculiar human behavior are simply not enough to engage the audience to the degree that Cowell’s presence has.
We shall see.
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The move to Wednesdays for ABC's Ugly Betty hasn't seemed to hurt, in fact, the show itself is better than ever. Last nights episode, "Back in Her Place" cannot be called just a comedy because rather than it being funny, it was poignant on so many levels. There were funny moments though, mostly from the mouth of Marc, who said: "I hated 'Breakfast at Tiffany's.' If you tell one gay person I said that, I will deny it. I will." And more importantly, when Betty decided to start her own blog, Marc sneered: "That's so two years ago.!" Old news or not, we found Betty's blog, which is supported in total by ABC (nice work for a new blog).
Ugly Betty was created by a gay man, Silvio Horta in 2006. In addition to Marc, who is flamboyantly gay, Betty's sister, Hilda, has a son, Justin, who would seem to be gay. If it were stated so, it would make Justin Suarez, one of the youngest gay characters ever presented in prime time. Horta has commented more definitively on Justin's sexuality, saying,
"[Justin]'s twelve and we want to let things proceed as they would
normally. There's so much to explore with this kid as he comes into
adolescence and what it would be like if he were gay...which he
probably is."
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When young singers hoping for their big break aren’t covering Motown songs or plugging Coca-Cola on the stage of American Idol, the show’s star personalities are usually squabbling over petty slights in an attempt to fill air time. A lot of these seemingly pointless disagreements came care of Paula Abdul and Simon Cowell, but it seems new judge Ellen DeGeneres is game to carry on the tradition. “Simon really is mean to people sometimes,” DeGeneres said in the next issue of Entertainment Weekly, out Friday. “If he’s rude, I’m going to let him know he’s rude.”
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In our brief follow-up interview with Nurse Jackie co-creator Linda Wallem, we learn that the second season of Showtime's critically acclaimed series is going into a "new gear of gay" when it premieres in March, complete with a big gay love triangle and a musical contribution from out rocker Melissa Etheridge.Read entire story at afterellen.com
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The last time it aired, guest host Paul Rudd locked lips with his family (Bill Hader, Fred Armisen and Kristen Wiig) much to his friend Andy Samberg's dismay. This time James Franco took it to a whole new level, actually tonguing his grandfather (Will Forte).
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Nominations for the 67th annual Golden Globe Awards were announced Tuesday morning, with Precious receiving a nomination for best dramatic film and Colin Firth garnering a nomination for best actor in a drama for his role in A Single Man.Precious, a tale of life in 1980s Harlem, directed by the openly gay Lee Daniels, will compete in the best drama category with Avatar, The Hurt Locker, and Inglorious Bastards, according to the Los Angeles Times blog, The Envelope. Firth, who stars in A Single Man, the directorial debut of fashion designer Tom Ford, will compete for best actor in a drama with George Clooney for Up in the Air, Jeff Bridges for Crazy Heart, Morgan Freeman for Invictus and Tobey Maguire for Brothers.In television, Glee took home multiple nominations, including Best Comedy Series, Best Actor for Matthew Morrison, Best Actress for Lea Michelle and Best Supporting Actress for Jane Lynch. In the comedy series category, Glee will face off against another very gay breakout hit, Modern Family, 30 Rock, Entourage and The Office.
via www.advocate.com
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We've all had that friendship that was cut short for whatever reason — because your family moved, because you switched jobs, because you were a "greaser" and they were a "soc" — and we're left to wonder: what might have been? Continue here:
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Jersey Shore’s self-described “guido” Paul "Pauly D"
Delvecchio (far left) isn’t shy about showing off — after all, after just two
episodes of the MTV reality series, he and a housemate hit the sheets,
after which she announced that his manhood is pierced.
"I wasn't expecting that it was being filmed," Pauly D told E! Online’s Mark Malkin. "But I don't mind. I mean, it's whatever."
"I didn't tell anyone about my piercing," he added, "but I'm not shy."
Now Delvecchio tells Malkin he wouldn’t mind showing more in the pages of Playgirl ... but unlike Levi Johnston, he’d go full-frontal.
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The Gay and Lesbian Alliance Against Defamation (GLAAD) has released
a list of the top US television networks for the representation of gay
and lesbian characters.
The third annual Network Responsibility Index found that HBO, which airs True Blood, The No. 1 Ladies Detective Agency and Entourage, came out top for representation among the 15 networks surveyed.
ABC came out top of the broadcast networks for LGBT inclusion. Of its 1,146.5 total hours of primetime programming, 24 per cent were representative of LGBT people, including nine per cent which were trans-inclusive.
Fox, which received a failing grade last year, has risen to third out of the five broadcast networks, with 11 per cent of its programming being representative. However, GLAAD suggested that it had aired some "problematic" representations.
CBS came bottom, with just five per cent LGBT-inclusive content.
Among the ten cable networks, TBS came bottom with just half an hour of LGBT-inclusive broadcasting. A&E aired two hours.
GLAAD reviewed 4,901 hours of primetime broadcasting for inclusion of LGBT characters or issues on the five major networks (ABC, CBS, The CW, Fox and NBC) between June 1st, 2008 to May 31st, 2009.
It also examined all original primetime programming - 1,212.5 hours - on ten cable networks (A&E, FX, HBO, Lifetime, MTV, Showtime, Sci Fi, TBS, TNT, and USA).
Each network was given a grade of excellent, good, adequate or failing.
Among the five broadcast networks, ABC and The CW ranked first and second respectively, as they have done since the index began.
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